Vor ein paar Tagen hat Chicago nominiert und hier sind die Preisträger! Ein „Best Picture“/“Director“-Split wird immer wahrscheinlicher! Ob es am Ende auch genauso passiert oder „Poor Things“ sich da noch hinmausert, da Emma Stone sich langsam aber sicher in Frontrunerstatus positioniert oder es gar „The Holdovers“ wird, wird sich zeigen! Paul Giammi und Da´vine Joy Randolph scheinen zumindest beiden Kritiker nun aufhaltsam!
BESTER FILM / BEST PICTURE
- Barbie
- Killers of the Flower Moon (*)
- May December
- Oppenheimer
- Poor Things
BESTE REGIE / BEST DIRECTOR
- Greta Gerwig, Barbie
- Todd Haynes, May December
- Yorgos Lanthimos, Poor Things
- Christopher Nolan, Oppenheimer (*)
- Martin Scorsese, Killers of the Flower Moon
BESTER DARSTELLER / BEST ACTOR
- Leonardo DiCaprio, Killers of the Flower Moon
- Paul Giamatti, The Holdovers (*)
- Cillian Murphy, Oppenheimer
- Andrew Scott, All of Us Strangers
- Teo Yoo, Past Lives
BESTE DARSTELLERIN / BEST ACTRESS
- Lily Gladstone, Killers of the Flower Moon
- Sandra Huller, Anatomy of a Fall
- Natalie Portman, May December
- Margot Robbie, Barbie
- Emma Stone, Poor Things (*)
BESTER NEBENDARSTELLER / BEST SUPPORTING ACTOR
- Robert Downey Jr., Oppenheimer
- Ryan Gosling, Barbie
- Glenn Howerton, Blackberry
- Charles Melton, May December (*)
- Mark Ruffalo, Poor Things
BESTE NEBENDARSTELLERIN / BEST SUPPORTING ACTRESS
- Jodie Foster, NYAD
- Sandra Huller, The Zone of Interest
- Rachel McAdams, Are You There, God? It’s Me, Margaret
- Julianne Moore, May December
- Da’Vine Joy Randolph, The Holdovers (*)
BESTES ORIGINAL-DREHBUCH / BEST ORIGINAL SCREENPLAY
- Anatomy of a Fall by Arthur Harari & Justine Triet
- Barbie by Greta Gerwig, Noah Baumbach
- The Holdovers by David Hemingson
- May December by Samy Burch (*)
- Past Lives by Celine Song
BESTES ADAPTIERTES DREHBUCH / BEST ADAPTED SCREENPLAY
- Are You There, God? It’s Me, Margaret by Kelly Fremon Craig
- Killers of the Flower Moon by Eric Roth & Martin Scorsese (*)
- Oppenheimer by Christopher Nolan
- Poor Things by Tony McNamara
- The Zone of Interest by Jonathan Glazer
BESTER ANIMATIONSFILM / BEST ANIMATED FEATURE
- The Boy and the Heron (*)
- Leo
- Robot Dreams
- Spider-Man: Across the Spider-verse
- Teenage Mutant Ninja Turtles: Mutant Mayhem
BESTER DOKUMENTARFILM / BEST DOCUMENTARY
- 20 Days in Mariupol
- Beyond Utopia
- Kokomo City (*)
- Menus-Plaisirs – Les Troisgros
- Still: A Michael J. Fox Movie
BESTER FREMDSPRACHIGER FILM / BEST FOREIGN LANGUAGE FILM
- Anatomy of a Fall
- The Boy and the Heron
- Godzilla Minus One
- The Teachers’ Lounge
- The Zone of Interest (*)
MILOS STEHLIK AWARD FOR BREAKTHROUGH FILMMAKER
- Kyle Edward Ball, Skinamarink
- Raven Jackson, All Dirt Roads Taste of Salt
- Cord Jefferson, American Fiction
- A.V. Rockwell, A Thousand and One
- Celine Song, Past Lives (*)
MOST PROMISING PERFORMER
- Abby Ryder Fortson, Are You There, God? It’s Me, Margaret
- Milo Machado Graner, Anatomy of a Fall
- Charles Melton, May December (*)
- Dominic Sessa, The Holdovers
- Teo Yoo, Past Lives
BESTE AUSSTATTUNG / BEST ART DIRECTION/PRODUCTION DESIGN
- Asteroid City
- Barbie (*)
- Killers of the Flower Moon
- Oppenheimer
- Poor Things
BESTE KAMERA / BEST CINEMATOGRAPHY
- Asteroid City, Robert D. Yeoman
- Killers of the Flower Moon, Rodrigo Prieto
- Oppenheimer, Hoyte Van Hoytema (*)
- Poor Things, Robbie Ryan
- The Zone of Interest, Lukasz Zal
BESTES KOSTÜMDESIGN / BEST COSTUME DESIGN
- Asteroid City, Milena Canonero
- Barbie, Jacqueline Durran
- Killers of the Flower Moon, Jacqueline West
- Poor Things, Holly Waddington (*)
- Priscilla, Stacey Battat
BESTER SCHNITT / BEST EDITING
- All Dirt Roads Taste of Salt
- John Wick: Chapter 4
- Killers of the Flower Moon
- Mission: Impossible: Dead Reckoning – Part One
- Oppenheimer (*)
BESTEFILMMUSIK / BEST ORIGINAL SCORE
- Barbie, Mark Ronson & Andrew Wyatt
- Killers of the Flower Moon, Robbie Robertson (*)
- Oppenheimer, Ludwig Goransson
- Poor Things, Jerskin Fendrix
- The Zone of Interest, Mica Levi
BESTE VISUELLE EFFEKTE / BEST USE OF VISUAL EFFECTS
- Barbie
- Godzilla Minus One (*)
- Mission: Impossible: Dead Reckoning – Part One
- Oppenheimer
- Poor Things
NOMINIERUNGSÜBERSICHT / NOMINATIONS BY FILM
KILLERS OF THE FLOWER MOON (3 Awards / 10 Nominierungen)
- Bester Film / Best Picture
- Beste Regie / Best Director (Martin Scorsese)
- Bestes adaptiertes Drehbuch / Adapted Screenplay
- Bester Darsteller / Best Actor (Leonardo DiCaprio)
- Beste Darstellerin / Best Actress (Lily Gladstone)
- Beste Kamera / Best Cinematography
- Beste Ausstattung / Bestes Production Design
- Beste Kostüme / Best Costume Design
- BesterFilmschnitt / Best Editing
- Beste Filmmusik / Best Original Score (Robbie Robertson)
OPPENHEIMER (3 Awards / 10 Nominierungen)
- Bester Film / Best Picture
- Beste Regie / Best Director (Christopher Nolan)
- Bestes adaptiertes Drehbuch / Best Adapted Screenplay
- Bester Darsteller/ Best Actor (Cillian Murphy)
- Bester Nebendarsteller / Best Supporting Actor (Robert Downey, Jr.)
- Beste Ausstattung / Production Design
- Beste Kamera / Best Cinematography (Hoyte van Hoytema)
- Bester Filmschnitt / Best Editing (Jennifer Lame)
- Best Original Score (Ludwig Görransson)
- Best use of Visual Effects
MAY DECEMBER (3 Awards / 7 Nominierungen)
- Bester Film / Best Picture
- Beste Regie / Best Director (Todd Haynes)
- Beste Darstellerin / Best Actress (Natalie Portman)
- Beste Nebendarstellerin / Supporting Actress (Julianne Moore)
- Bester Nebendarsteller / Supporting Actor (Charles Melton)
- Bestes Original-Drehbuch / Best Original Screenplay (Samy Burch)
- Most Promising Performer (Charles Melton)
POOR THINGS (2 Awards / 10 Nominierungen)
- Bester Film / Best Picture
- Beste Regie / Best Director (Yorgos Lanthimos)
- Beste Darstellerin / Best Actress (Emma Stone)
- Best Supporting Actor (Mark Ruffalo)
- Bestes adaptiertes Drehbuch / Best Adapted Screenplay
- Beste Ausstattung / Production Design
- Beste Kamera / Best Cinematography
- Beste Kostüme / Best Costumes (Holly Waddington)
- Beste Filmmusik / Best Original Score
- Best Use of Visual Effects
THE HOLDOVERS (2 Awards / 4 Nominierungen)
- Bester Darsteller / Best Actor (Paul Giamatti)
- Bester Nebendarsteller / Best Supporting Actress (Da’Vine Joy Randolph)
- Bestes Original-Drehbuch / Best Original Screenplay
- Most Promising Performer (Dominic Sessa)
BARBIE (1 Award / 9 Nominierungen)
- Bester Film / Best Picture
- Beste Regie / BestDirector
- Beste Darstellerin / Best Actress (Margot Robbie)
- Bester Nebendarsteller / Supporting Actor (Ryan Gosling)
- Bestes Original-Drehbuch / Best Original Screenplay
- Beste Ausstattung / Bestes Production Design
- Beste Kostüme / Best Costumn Design
- Beste Filmmusik / Best Original Score
- Best Use of Visual Effects
THE ZONE OF INTEREST (1 Award / 5 Nominierungen)
- Beste Nebendarstellerin / Supporting Actress (Sandra Hüller)
- Bestes adaptiertes Drehbuch / Best Adapted Screenplay (Jonathan Glazer)
- Bester fremdsprachiger Film / Foreign Language Film (UK)
- Beste Kamera / Best Cinematography
- Beste Filmmusik / Best Original Score (Mika Levi)
PAST LIVES (1 Award / 4 Nominierungen)
- Best Actor (Teo Yoo)
- Best Original Screenplay
- Most Promising Performer (Teo Yoo)
- Milos Stehlik Breakthrough Filmmaker (Celine Song)
THE BOY AND THE HERON (1 Award / 2 Nominierungen)
- Bester Animationsfilm / Best Animated Feature
- Best Foreign Language Film
GODZILLA MINUS ONE (1 Award / 2 Nominierungen)
- Best Foreign Language Film
- Best Use of Visual Effects
ANATOMY OF A FALL (0 Awards / 4 Nominierungen)
- Best Actress (Sandra Hüller)
- Best Original Screenplay (Justine Triet)
- Bester fremdsprachiger Film / Foreign Language Film (France)
- Most Promising Performer (Milo Machado Graner)
ARE YOU THERE, GOD? IT’S ME, MARGARET (0 Awards / 3 Nominierungen)
- Best Supporting Actress (Rachel McAdams)
- Best Adapted Screenplay
- Most Promising Performer (Abby Ryder Fortson)
ASTEROID CITY (0 Awards / 3 Nominierungen)
- Beste Ausstattung / Best Production Design
- Beste Kostüme / Best Costumes
- Beste Kamera / Best Cinematography
MISSION: IMPOSSIBLE: DEAD RECKONING – PART ONE (0 Awards / 2 Nominierungen)
- Bester Filmschnitt / Best Editing
- Best Use of Visual Effects