Die Preise der Ausstattungsguilde

Art Directors Guild Gewinner 2016

The Martian“, “The Revenant” und “Mad Max: Fury Road” gewinnen die Preis der “Art Directors Guild”, womit die Wahrscheinlichkeit erheblich steigt, dass einer dieser Werke sich über die beiden anderen Nominierten “Bridge of Spies” und “The Danish Girl” auch bei der Oscarverleihung am 28.02.2016 erfolgreich sein dürfte. Was denkt ihr, wer macht das Rennen?

1. PERIOD FILM

  • BRIDGE OF SPIES
    Production Designer: ADAM STOCKHAUSEN
  • CRIMSON PEAK
    Production Designer: THOMAS E. SANDERS
  • THE DANISH GIRL
    Production Designer: EVE STEWART
  • THE REVENANT (*)
    Production Designer: JACK FISK
  • TRUMBO
    Production Designer: MARK RICKER

2. FANTASY FILM

  • CINDERELLA
    Production Designer: DANTE FERRETTI
  • JURASSIC WORLD
    Production Designer: EDWARD VERREAUX
  • MAD MAX: FURY ROAD
    Production Designer: COLIN GIBSON (*)
  • STAR WARS: THE FORCE AWAKENS
    Production Designers: RICK CARTER, DARREN GILFORD
  • TOMORROWLAND
    Production Designer: SCOTT CHAMBLISS

3. CONTEMPORARY FILM

  • EX MACHINA
    Production Designer: MARK DIGBY
  • JOY
    Production Designer: JUDY BECKER
  • THE MARTIAN (*)
    Production Designer: ARTHUR MAX
  • SICARIO
    Production Designer: PATRICE VERMETTE
  • SPECTRE
    Production Designer: DENNIS GASSNER

THE NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR TELEVISION IN 2015:

4. ONE-HOUR PERIOD OR FANTASY SINGLE-CAMERA SERIES

  • DOWNTON ABBEY: “A Moorland Holiday”
    Production Designer: DONAL WOODS
  • GAME OF THRONES: “High Sparrow,” “Unbowed, Unbent, Unbroken,” “Hardhome” (*)
    Production Designer: DEBORAH RILEY
  • GOTHAM: “Strike Force,” “Dammed If You Do…”
    Production Designer: RICHARD BERG
  • THE KNICK: “Ten Knots,” “The Best With The Best To Get The Best,” “Wonderful
    Surprises”
    Production Designer: HOWARD CUMMINGS
  • MAD MEN: “Person to Person”
    Production Designer: DAN BISHOP

5. ONE-HOUR CONTEMPORARY SINGLE-CAMERA SERIES

  • BETTER CALL SAUL: “Five-O,” “Rico,” “Marco”
    Production Designer: TONY FANNING
  • EMPIRE: “Pilot”
    Production Designer: STEVE SAKLAD
  • HOMELAND: “The Tradition of Hospitality,” “All About Allison,” “The Litvinov Ruse”
    Production Designer: JOHN D. KRETSCHMER
  • HOUSE OF CARDS: “Chapter 29,” “Chapter 36” (*)
    Production Designer: STEVE ARNOLD
  • TRUE DETECTIVE: “The Western Book of the Dead,” “Night Finds You,”
    “Omega Station”
    Production Designer: ALEX DiGERLANDO

6. TELEVISION MOVIE OR LIMITED SERIES

  • AMERICAN HORROR STORY: HOTEL: “Checking In” (*)
    Production Designer: MARK WORTHINGTON
  • BESSIE
    Production Designer: CLARK HUNTER
  • FARGO: “Waiting For Dutch,” “Before the Law,” “Fear and Trembling”
    Production Designer: WARREN ALAN YOUNG
  • TUT: “Power,” “Betrayal,” “Destiny”
    Production Designer: MICHAEL HANAN
  • WOLF HALL: “Three Card Trick”
    Production Designer: PAT CAMPBELL

7. HALF HOUR SINGLE-CAMERA SERIES

  • THE LAST MAN ON EARTH: “Alive in Tucson,” “Is Anybody Out There?,” “Silent Night”
    Production Designer: BRUCE ROBERT HILL
  • THE MUPPETS: “The Ex-Factor,” “Pig’s in a Blanket” (*)
    Production Designer: DENISE PIZZINI
  • SILICON VALLEY: “Sand Hill Shuffle,” “Homicide,” “Adult Content”
    Production Designer: RICHARD TOYON
  • TRANSPARENT: “Kina Hora,” “The Book of Life,” “Oscillate”
    Production Designer: CAT SMITH
  • VEEP: “Joint Session,” “Election Night”
    Production Designer: JAMES GLOSTER

8. MULTI-CAMERA SERIES

  • 2 BROKE GIRLS: “And the Escape Room,” “And the Maybe Baby,”
    “And the Coming Out Party”
    Production Designer: GLENDA ROVELLO
  • THE BIG BANG THEORY: “The Skywalker Incursion,” “The Mystery Date
    Observation,” “The Platonic Permutation” (*)
    Production Designer: JOHN SHAFFNER
  • CLIPPED: “Dreamers,” “Wi-Fi,” “World’s Rudest Barbershop”
    Production Designer: GREG GRANDE
  • MOM: “Mashed Potatoes and A Little Nitrous,” “Six Popes and Red Ferrari,”
    “Fun Girl Stuff and Eternal Salvation”
    Production Designer: JOHN SHAFFNER
  • TRUTH BE TOLD: “Pilot,” “Big Black Coffee,” “Members Only”
    Production Designer: STEPHAN OLSON

9. AWARDS OR EVENT SPECIAL

  • 67th ANNUAL EMMY AWARDS
    Production Designers: TAMLYN WRIGHT, BAZ HALPIN
  • THE AMERICAN MUSIC AWARDS: 2015
    Production Designers: JOE STEWART, JOHN SHAFFNER
  • THE OSCARS: 2015 (*)
    Production Designer: DEREK McLANE
  • SATURDAY NIGHT LIVE: “40th Anniversary Special”
    Production Designers: KEITH IAN RAYWOOD, EUGENE LEE, AKIRA YOSHIMURA, N. JOSEPH DeTULLIO, PETER BARAN
  • THE WIZ LIVE
    Production Designer: DEREK McLANE

10. SHORT FORMAT: WEB SERIES, MUSIC VIDEO OR COMMERCIAL

  • AMERICAN HORROR STORY: HOTEL: “Hallways”
    Production Designer: ZACH MATHEWS
  • APPLE MUSIC: “The History of Sound” (*)
    Production Designer: JESS GONCHOR
  • DURACELL – STAR WARS: “Battle For Christmas Morning”
    Production Designer: TOM MEYER
  • MADONNA: “Ghosttown”
    Production Designer: EMMA FAIRLEY
  • VICTORIA’S SECRET: “Rome”
    Production Designer: JEFFREY BEECROFT

11. VARIETY, REALITY OR COMPETITION SERIES

  • CONAN: “At Comic-Con”
    Production Designer: CHRISTOPHER GOUMAS
  • THE ELLEN DEGENERES SHOW: “Halloween”
    Production Designer: SCOTT MOSES
  • KEY & PEELE: “Ya’ll Ready For This?” “The End” (*)
    Production Designer: GARY KORDAN
  • SATURDAY NIGHT LIVE: “Tracey Morgan/Demi Lovato,” “Scarlett Johansson/Wiz
    Khalifa,” “Miley Cyrus”
    Production Designers: KEITH IAN RAYWOOD, EUGENE LEE, AKIRA YOSHIMURA, N. JOSEPH DeTULLIO
  • TOP CHEF: “Stop the Presses”
    Production Designer: JAMES PEARSE CONNELLY
  • THE VOICE SEASON 9: “Blind Auditions Premiere,” “Battles Premiere,”
    “The Knockouts Premiere”
    Production Designers: ANTON GOSS, JAMES PEARSE CONNELLY
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One Response to Die Preise der Ausstattungsguilde

  1. Patrick sagt:

    Warum "Carol" und "Brooklyn" nicht nominiert wurden, verstehe wer will, aber nun auch noch "Revenant", "Mad Max" und "Der Marsianer" als Frontrunner für den Austattungsoscar? Das überschreitet dieses Jahr meinen Horizont! Da in der Regel "Period" Pieces oder "Fantasy"-Filme den Oscar mit nach Hause nehmen, dürfte es ein Rennen zwischen "The Revenant" und "Mad Max" werden, so wie bei den meisten technischen Preisen dieses Jahr.

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